Mose Giganticus - Gift Horse

Mose Giganticus is a one man band constructed by Philadelphia, Pennsylvania-based Matthew Garfield, who had put in plenty of time in various punk bands of the area. Since formingt he project back in 2005, this project has seen a few albums, but none as heavy, entertaining, yet odd as far as the music for this release goes. Gift Horse, the second full-length album from   Mose Giganticus,is essentially a Sludge Metal style of playing with some Hardcore and Punk influences that are brought in, but mostly through synthesizers. However, with Gift Horse, it seems that the material this time around is much more Sludge oriented with synths then anything else. This more refined sound leads to Gift Horse being a great album that really stands out amongst the many Mastodon clone bands in this style, and may very well toppled them and each doppleganger all at the same time.

While this album does seem to focus moreso on the Sludge sound of the music, there are still some tracks on here that still bring in the whole Punk and Hardcore atmosphere. Take "The Left Path" for instance. While this track has the ground work of a Sludge album, it has the speed and even the group chanting that would commonly be associated with the Hardcore music style. These elements added together work great and really make this track stand out above all on the release for how heavy it ultimately sounds. However, all of this applies only to the speed factor of the album. While this track is one of the most enjoyable and really stands out amongst the faster tracks of the album, there's no denying that "Days of Yore" is easily the most unique track on this entire album, with it's insane layer of science fiction atmosphere that gives the song an almost astral feel thanks to the synthesizers that overpower the track to take you on one hell of well composed trip right from the start.

 

While the Sludge aspect of this album is absolutely fantastic and really works well to create an experience all it's own, the tracks like "Days of Yore" are really where this album shines. While "Days of Yore" is enough that it could sweep you away into a whole other musical world without leaving the Sludge roots behind, it's the song "White Horse" that really drives the album home with it's epic overall sound thanks to the heavy synthesizers and accompanying guitars, all of which building a very intense song without going over the top, acting as sort of a climax track to the concept behind the album, which apparently is that of the building tension before the great war between Heaven and Hell, and the discussions between God and Lucifer.

Gift's Horse Tracklist: 

1. Last Resort - 4:03
2. The Left Path - 4:14
3. Demon Tusk - 3:44
4. Days of Yore - 3:47
5. The Great Deceiver - 4:07
6. White Horse - 4:53
7. The Seventh Seal - 5:04

Support the Band : myspace.com/mosegiganticus

Download Gift Horse : http://www.mediafire.com/?hgv64cqjgg0jc7g

Limbonik Art - Phantasmagoria

 I loved Bathory growing up. I mean, I REALLY loved me some Bathory! That crazy Quorthon and his one man band really tore it up while basically giving birth to the black, folk and viking metal genres all by his lonesome. However, A.B. (After Bathory), many one man bands rose up in the frozen, gloomy black metal basements of the world, some good, many not. Therefore, when I heard that long running Norwegian black metal act Limbonic Art was now essentially reduced to a one man project for co-founder Daemon, I was more than slightly uneasy about the release of this, their seventh album, Phantasmagoria. Further enhancing my unease was the advance word that the album would again feature a drum machine (a long running negative for this band). With unease and hesitation upon all our minds (or at least mine), here we go.

Limbonic Art was always a pretty raw black metal band with very clear classic/symphonic elements, but they never strayed anywhere near the level of Dimmu Borgir or other overly symphonic, polished acts. Additionally, Limbonic Art was always exceptionally proficient at creating a real atmosphere of evil and ugliness on past albums, which is so crucial to the entire black metal experience. Happily, these elements have managed to survive on Phantasmagoria to one degree or another despite the shift to one man DIY.

What becomes pretty obvious on Phantasmagoria is that the new Limbonic Art sound is way more stripped down and simpler than in the past. There are  still symphonic elements but to a lesser extent than ever before.  This album is a more primal version of their sound and it works very well on most of the tracks.

Things, however, get off to a pretty rough start with the opening title track, which although starting off promisingly with hyper-speed and ugly black metal, is badly undercut by an enormously ill-conceived and fruity keyboard flourish with matching vocals that sound like they belongs on Broadway in Mama Mia. Although the song changes gears and morphs into a creepy, atmospheric plodder, that damn flourish just ruins this song and I couldn’t take it seriously. Mercifully, things get back on track thereafter  and “Curse of the Necromancer,” “Crypt of Bereavement” and “Dark Winds” are all stellar examples of bleak, raw evilness and some of the better black metal I have heard in some time (“Dark Winds” standing out for its slow and evil vibe).

The production here is pitch perfect for black metal histrionics, with an under-produced raw sound that isn’t so murky and crappy that the music is lost in a frosty haze. Likewise, the album artwork is very cool and well suited to the mood of the music. In fact, it may be one of my favorites in a while. Now, for the downsides. One is the drum machine. I am very down on the programmed drum machine thing. It feels cold and emotionless and not in the cool, frowning black metal way either. At least the drum sound on here is slightly less robotic than on some albums but I still wish they had a real drummer. Secondly, the best material is all jammed into the first half of the album, with the second half being nowhere near as impressive. That isn’t to say that Phantasmagoria is only half good, just that one half is noticeably superior to the other. Lastly, that goddamn flourish in the title track!! ( Sorry, it bothered me that much.)Overall, this is a pretty respectable return for Limbonic Art and most of my fears about the quality were unfounded. If you like your black metal raw but still containing melody, you will probably appreciate this. I will always prefer their first few albums but I think Phantasmagoria will live in my iPod and get some respectable playtime as well (except that opening track).

(review:AngryMetalGuy)

1.	Prologue / Phantasmagoria
2.	Crypt Of Bereavement
3.	Curse Of The Necromancer
4.	Portal To The Unknown
5.	Dark Winds
6.	A World In Pandemonium
7.	Flight Of The Minds Eye
8.	Apocalyptic Manifestation
9.	Prophetic Dreams
10.	The Burning Vortex
11.	A Black Sphere Of Serenity
12.	Astral Projection

Support The Band : myspace.com/officiallimbonicart

Phantasmagoria :    http://rghost.net/2048454

 

Ludicra - The Tenant

It’s always a pleasure as a man nearing forty to hear the occasional CD that makes you sit up a little straighter in your chair, cock your eyebrows a bit in a knowing manner, and just generally enjoy the CD. Those little moments seem fewer and farther between these days, especially from bands from the home sector. If it isn’t some mallcore inanity of a Shadows Fall/In Flames rip off, it’s some emo/gothic wannabes killing time and my ears with the most pedestrian sounds I’ve heard in two decades. So when a band emerges from San Francisco and manages to attract and keep my interest, as in the case of Ludicra, I’m only too happy to indulge myself accordingly.

Tracklist:

1. Stagnant Pond
2. A Larger Silence
3. In Stable
4. The Undercaste
5. Clean White Void
6. Truth Won't Set You Free
7. The Tenant 

Support The Artist : http://www.myspace.com/ludicra

Ludicra - The Tenant : http://www.mediafire.com/?uzzn3zmezyo

Fleshgod Apocalypse - Mafia

Last year, Fleshgod Apocalypse's Oracles threatened to make some significant waves. A close cousin of the acclaimed Hour of Penance, Fleshgod crafted a claustrophic blend of ridicu-blast brutality and classical embellishments. The combo raised a unibrow or two, but, ironically, their formula worked against them. Their death metal attack was familiarly Teflon'd (it did, after all, sound a lot like Hour of Penance), and the classical elements came across as tacked-on and awkward. Oracles' tide waned severely before it reached shore.

But, as bands like Beneath the Massacre have previously proved, sometimes amped-up devastation is best served in bite-sized bursts of violence. Mafia, a five-song EP, showcases Fleshgod Apocalypse's best material yet, and in an ideally sized portion.

The first track, "Thru Our Scars," runs the band's stylistic gamut. In short, it's a mission statement. Opening with a two-second orchestral snippet, the song quickly dives into insane blasting and lightning-fucked riffing, before topping itself off with rapid-fire verses that bludgeon and bounce with fervor. The mad sweeps and operatic vocals that comprise the chorus are cool as hell, too, but when taken as a whole...it's a little much. And that was the problem with Oracles--restraint was in short supply. These guys like to beat you over the skull with the kitchen sink before shoving the plumbing down your throat.

Thankfully, they let the next two tracks breathe a bit, and the results are impressive. "Abyssal" is a fast-but-focused cutter that has a shoutalong hook reminiscent of Aeon (circa Bleeding the False); the wildly triggered double bass work tries to launch the song into hyperspace, but emotive and stout guitar work keeps it grounded. A brief orchestral segue (a fucking fluid one, at that) leads into "Conspiracy of Silence," which succeeds in spite of some recycled noodling--mostly because the pseudo-operatic vocals add some tasteful depth to an otherwise merciless attack.

So, yeah, sorry for getting a little long-winded about a decidedly second-tier death metal EP, but it's an impressive piece of work. Time will tell if Fleshgod Apocalypse will use "Abyssal" as a stepping stone to more laconic (and therefore more engaging) full-length exhibition, or simply become one of those bands that fares better in the shorter format (Vader and Jesu, we're looking at you). If the latter scenario proceeds to unfold, well, keep these nuggets coming, Fleshgods. Mafia is an essential listen for modern DM freaks--if not for its powerful original material, certainly for its absurdly destructive cover of "Blinded By Fear."

Tracklist :

1. Thru Our Scars
2. Abyssal
3. Conspiracy Of Silence
4. Blinded By Fear (At The Gates cover)
5. Mafia

Support The Artist : http://www.myspace.com/fleshgodapocalypse 

http://www.mediafire.com/?ymhjm0wzznt 

   Ж TL ДLЮKED  Ж

The Acacia Strain - Wormwood

In the past, I’ve never gone out of my way to listen to The Acacia Strain. The first time I actually sat down and paid attention to a song of theirs was when they released the first single, Jonestown, off of their fifth studio album titled Wormwood. I loved it. It had a simple groove, angry and emotional lyrics, and I loved the sound of Vincent’s growl. Even though I really enjoyed the song, I had mid to low expectations for the album. All I can say after listening to the album thoroughly is, wow. I did not expect such a pissed off, misanthropic, sonic assault. Not only is it angry, but boy oh boy is it heavy. These two aspects obviously walk hand in hand and The Acacia Strain use that to their advantage, and to full effect.

The first four songs hit you in the face with a sledgehammer swung by a bloodthirsty gorilla. The band whips out an eight string beat down that never lets up. What should turn into a monotonous chug fest is saved by Vincent’s emotionally seeping and brutal screams and dark/mysterious melodies layered over each other in an expertly manner. Each breakdown is placed in a precise moment in order to reach each songs desired dynamic potential and they aren’t thrown in for the sake of “teh br00talz”. The breakdowns are almost needed. Yes, I just said that. You need something slow and crushingly heavy in order for Vincent’s ferocious and offensive chants to seem appropriate and not out of place. Listen to songs such as Ramirez and Bay of Pigs for examples, the latter arguably has the best breakdown of the album. The Acacia Strain really had a good idea of what they wanted this album to sound like. Every song flows into another, in a good way, and without trying hard at all you can easily pick out a memorable moment in each song.

Many may find the lyrics horrendous, cheesy, or maybe even offensive, while only some will understand what Vincent was going for. Vincent stated before the album release that these would be the most personal lyrics he has ever written. After listening to the record the previous statement becomes an obvious fact. He is angry, really angry. The themes involve Christianity, whores, and misanthropy, lots of misanthropy. Nothing totally new or innovative, yes, but I’m quite confident in saying that I have never heard someone pull it off as well as this. The lyrics are so emotional and in your face that they become therapeutic. If you are ever pissed off, this is the album to listen to. You can really hear the anger behind Vincent’s voice and it makes the lyrics much more meaningful. It’s easy to relate to them as well. If you hate Christianity listen to The Hills Have Eyes. If you are pissed off at an ex, listen to BTM FDR. The album is filled with memorable lines that you just want to yell to the world; however the trick is to not take them seriously. For example, in BTM FDR, you’ll hear one of my favourite lines: “You spread disease when you spread your legs. Time to suck today’s dick. I hope you choke on it.” The line is laughable, in a good way though, but it’s not like Vincent was going for something very emotional and deep here. There are lines like this throughout the album and makes the overall listening experience much more exciting.

The album, of course, does not come without its flaws. While the album helps The Acacia Strain stick their neck out of the tired deathcore genre, it does little else. It’s not very innovative, and variety is rarely found. On the first few listens some songs will seem very boring. Besides that, it’s hard to find anything to complain about. Although I quite enjoy Vincent's growl, it gets dull by the end of the album and it's disappointing he has such little range. The guest vocal appearances are rather useless as well, playing fairly small roles. What I can't seem to understand is how the guest appearances sound so similar to Vincent's vocals. If I was left totally unaware of the fact that there were guest vocals, I wouldn't have even noticed it was a totally different person.

Without exaggerating, I can easily say this is one of the heaviest albums I’ve ever heard. That reason alone is worth checking this out, but there is so much more to it. The songs flow well, and song writing is ace overall, it is very emotional and relatable, and features many well done breakdowns that will remind you why the abused technique ever became popular. This isn’t the run of the mill deathcore album, and several listens are acquired in order to give final judgement. I love pleasant surprises, and so should you. In other words, listen to this album.

Support The Artist : http://www.myspace.com/theacaciastrain


http://hotfile.com/dl/54852689/d6e829f/The_Acacia_Strain_-_Wormwood_%282010%29.zip.html


                       Ж TL ДLЮKED  Ж

Sabretung

Genre : Thrash Metal

Band Members :   Doug Murray - Guitars/Vocals

                           Ben Yates - Drums
                           Tyler Purvis - Bass/Backing
                           Daniel McInnes - Guitars

Band Mail : dougmurray85@gmail.com

Sabretung will leave their mark as one of the most intense musical monsters on the planet, continuing the legacy of the sounds pioneered by bands such as Kreator, Sepultura and Slayer. With supports for both national and international acts such as Paul Dianno, Mortal Sin, The Amenta, Double Dragon, Frankenbok, Five Star Prison Cell, Lord and Daysend under their belts, the band continues to spread their aural violence to head bangers young and old, bringing a cleansing inferno of unrelenting raw aggression to a metal scene overgrown with contrived technicality and half-hearted brutality.

Support The Artist :  http://www.facebook.com/sabretung

                               http://sabretung.bandcamp.com/

Deicide - To Hell With God

Deicide, a band whose story is rife with controversy and surprise, is back. Am I the only one who had heard 2008’s Till Death Do Us Part was their farewell release? Whatever…

It’s difficult to make any predictions before reviewing Deicide record. The band is one of the founding pillars of death metal and has some undeniably seminal releases, but has also made it known that other parts of its catalog were purposeful rush jobs to satisfy label obligations. 2006’s The Stench Of Redemption was a breath of fresh air (!) with newcomers to the lineup Jack Owen and Ralph Santolla adding amazingly well written solos and lead melodies to the old formula. Then came Till Death Do Us Part, which if liner notes can be believed, had drummer Steve Asheim handling all rhythm guitar duties and bringing Owen and Santolla in only for choice solos. The result was that the album sounded like the Deicide of the 90s, which was a big disappointment after what Stench had introduced.

So here we are, 2011, a new decade, a new Deicide record. With no particular expectations, I hit play on this thing, and am immediately hit with crisp, clear, and brutal 21st century production. Is this Deicide? Yes it is. Not only is it Deicide, it’s the band that put out The Stench Of Redemption, on steroids (again?), and with a clear vision of what they need to get back to the top of the pack.

Although the production is really what stands out the most at first, (clear guitars, not-so-overbearing vocals), the songwriting is also a cut above standard Deicide. Sometimes in death metal, especially with the older bands who come from the “play it faster even if you can’t play it” generation, things get muddled. On To Hell With God, the riffs complement each other instead of becoming a string of the same old, and Benton’s vocal patterns are catchy rather than monotonous.

The more I listen to it, the more I realize that this album could be used as a mixing case study for beginning metal sound engineers. The instruments are all perfectly audible and nestled within their own frequencies so that the kick is not hidden under the guitars, the bass is not hidden under the kick, and so on. At any point you can isolate any one element, which makes for new discoveries with repeated listens.

The old guard of death metal is alive and well. If you’re up for a hearty serving of brutality with a side of hilarious “Satanic” lyrics, check this one out.

01. To Hell with God

02. Save Your

03. Witness of Death

04. Conviction

05. Empowered by Blasphemy

06. Angels in Hell

07. Hang in Agony Until You're Dead

08. Servant of the Enemy

09. Into the Darkness You Go

10. How Can You Call Yourself a God

Rebirth Of Triumph - Dread Breath & Forgiveness

this is our bands history ..


Rebirth of Triumph is a band formed from a small tourist town called bukittinggi \ WEST SUMATRA.

Rebirth of Triumph (ROT) itself can be interpreted with "Resurrection victory. "
Rebirth of Triumph was originally formed in the year consisted of four personil.Bandit 2010.yang, uchup, bajai and beni (four members began to pursue music on behalf of Escape from a destination ((year 2009)). but by the end of 2010 Rebirth Of Triumph set aldy as new members.
and in 2011 Rebirth of Triumph 5 personnel wear the Bandit as vocals, Uchup as guitar, Beni as bassist, Aldy as guitar, and Bajai as Drummer.

Rebirth of Triumph has a music theme song and its music-themed Metalcore.with fear (fear Full), sin, disappointment, hopelessness and etc..

Support The Artist :

http://www.sixteenhole.com/profile/RebirthOfTriumph

Download Their Songs :

http://www.mediafire.com/?5m0agsy7negg6rg

http://www.mediafire.com/?nd329iac7ydcgpv

...And You Will Know Us by the Trail of Dead - Tao Of The Dead

Some bands reach for the stars and fall short. And some end up in another galaxy.

When …And You Willl Know Us by the Trail of Dead singer Conrad Keely described the band’s new album, he said he always wanted to create an album that was a continuous piece of music and referenced albums such as Yes’ Relayer, Rush’s Hemispheres and Pink Floyd’s Dark Side of the Moon.

Obviously, those are pretty big aspirations. And while I’m not sure Tao of the Dead, the band’s seventh album, will be mentioned with the likes of those albums, this is still a brilliant piece of work.

Trail of the Dead’s intent was to concoct an album that was basically just one long song, well technically two (the album is 12 tracks, the final one separated into five parts). I can honestly say that it feels like that. Every song does bare difference from the others, but they also flow seamlessly into one another.  You’d think that the band never stopped playing while recording the album.

And just to be clear, this is one grandiose album. It is equal parts mathy, atmospheric and upbeat rock n roll. There are plenty of sunny, trippy synth flourishes. And there are plenty crunchy rock numbers that warrant playing loudly. This album has as big a sound as any of Trail of Dead’s previous works, maybe even bigger and grander.

I’d pick out individual tracks and elaborate on each, but that would defeat the purpose of the record. This really is just one long piece of music, one that shouldn’t be listened to by skipping ahead to your favorite song. This is an all-around enjoyable album. It’s a concept album that doesn’t need you to think much about it to fully appreciate it.

I know it’s only January, but Trail of the Dead have set the bar for 2011 pretty high.

 Support The Artist :

  http://www.myspace.com/trailofdead

Eximius Dominus - Warriors Of Europa

Folk Metal - Thane India

Members :

Rishil Nandy - Guitar

Kunal Dey - Bass

Tejas Dani - Vocals

Shreyas - Drums

Sid Sharma - Rythm Guitars
Rajat Srivastava - Keyboards

(Shreyas:Drummer/Lyricist/co-founder) : Basically my plan was to get a band together that played folk metal which had a global appeal and would reflect the Indian rich heritage lyrically. The songs are loosely based on Indian folklore , some on Space Dwellings and others on general ancient themes. Well , there was Sid(Rythms) and Chinmay(ex-lead) and myself, who met each other and had a common passion for Metal. I knew Sid long before since we played Squash together. I had already written 3 songs for a proposed folk project and after a few sessions , we came up with 2 songs completely composed. We asked our good friend 'Rajat Srivastava' to join in as Keyboards , who added the foundation(Summer of 2009). Earlier compositions were severely guitar driven. We uploaded a few videos of our jam sessions online and were met with decent response. After our then-lead-guitarist Chinmay left (October 2009) , the songs were re-composed from Scratch by Sid and Rajat , which were now more melodic , more technical and involving a lot of folk variations. As a 3-piece , we played a few gigs. Then , in the summer of 2010 we asked our long time friends Rishi Nandy(Lead Guitars) , Kunal Dey(Bass/Backing Vocals) and Tejas Dani (vocals) to join us and complete a Six-piece lineup.

We then played 3 shows (2 headline) and took a break to record the album "Heroic Ascension". We have successfully recorded 2 tracks and uploaded them Reverbnation.

We are still in process of writing songs and hopefully by the end of july , we will be releasing a self-produced full-length album.

with 'Warriors of Europa' for FREE DOWNLOAD. We had also released a LIVE Demo : "Rise of the Warlords" long before.

We plan to release our Full-length album before July 2011.
Album Name : Heroic Ascension
Tracklist -
1.Wisdom Of The Ancients (Intro)
2.Soul Bleeding from the Battle Wounds
3.Stoic Disposition
4.Warriors of Europa
5.Vengeance
6.Uncontrolled Valor
7.Parchment of Alchemy
8.Heroic Ascension
9.March Towards Oblivion (Outro)

Band Links :

Here is our Youtube Channel : http://tinyurl.com/5spfoxf
Facebook Page :                          http://tinyurl.com/6zw9m6j
Reverbnation Page :                   http://tinyurl.com/5tol2p6
SignMe2 Roadrunner Page      :http://tinyurl.com/67mwrlt

                                            !!VICTORY TO US ALL!!

Darkest Hour & Karma Violence & Endsight

Darkest Hour & Karma Violence & Endsight On A Wild Rocking Live At An Club

Impaled Nazarene & Ritual Of Odds & Aherussia & Profane Prayer for one live in An Club on 5th of February

Impaled Nazarene & Ritual Of Odds & Aherussia & Profane Prayer for one magnificent live in An Club on 5th of February

Serj Tankian - Prometheus Bound Musical

Embarking into new territory, Serj Tankian is in the midst of composing music for the upcoming musical Prometheus Bound. The adaptation of this classic Greek tragedy into a modern musical will debut in the spring of 2011 at the American Repertory Theater in Cambridge, Massachusets.
An outcry against tyranny, Prometheus Bound shows one man's struggle against the brute force of a ruthless dictator.  Written by Tony Award-winning lyricist and playwright Steven Sater (Spring Awakening) with music by Tankian, this bold new musical is inspired by Aeschylus's ancient Greek tragedy about the suffering of Western civilization's first prisoner of conscience. A.R.T. Artistic Director Diane Paulus stages this world premiere production in OBERON, immersing the audience in an environment that has the Dionysian energy and rebelliousness of a rock concert.

   

Here You Can Listen Some Of The Musicals Tracks :

http://www.americanrepertorytheater.org/inside/videos-podcasts/prometheus-bound-its-loud-enough-without-you-sample

http://www.americanrepertorytheater.org/inside/videos-podcasts/prometheus-bound-prometheus-titan-sample 

Frosttide - Dawn of Frost EP

Epic Folk Metal - Jyväskylä, Finland

Band Members :Joni Snoro (vocals, guitar)

                           Juho Patinen (guitar)

                           Joonas Nislin (drums)

                           Lise Richardson (keyboards)

                           Jaakko Halfbjörn (bass)

Joni Snoro decided to form a folk metal band in autumn 2009. He asked Joonas Nislin to play drums. The band also got a guitarist and bassist. He himself played guitar and sang. It was harder to find a keyboard player. In the end the guitarist and bassist left for their own projects. Juho Patinen joined the band as the guitarist around Christmas 2009. For a while they practiced Joni's songs with two guitars and drums, until the band found a keyboard player, Lise Richardson in the beginning of 2010. The band entered the Toukofest band competition around this time. They were looking for a bassist, and the previous guitarist and bassist filled in for a while, until the bassist Tuukka Siniluhta entered the band in spring 2010. The band was now complete. The first show was at Toukofest 2010, and the band made the shared second place in the band competition.
The band released their first EP Dawn Of Frost at the end of summer 2010.
In the winter 2010 the band came to the mutual decision to part ways with Tuukka and Jaakko Halfbjörn was chosen as his replacement.

"You know what, it’s been a while since we had some nice heroic folk metal. So why not throw some out there today. Who doesn’t like a bunch of long-haired Fins who prefer to stroll the forests pretending to be warriors of old, while making a cheerful piece of metal music? I know I do! "

Band Links :

www.myspace.com/Frosttide

www.mikseri.net/Frosttide

www.last.fm/music/Frosttide

www.youtube.com/Frosttide

www.twitter.com/Frosttide

Download whole Dawn of Frost EP :

(www.last.fm/music/frosttide

Legion Of The Damned - Descent Into Chaos

Style: Death/Thrash Metal
Origin: The Netherlands (Geldrop)
Lyrics: Rage, Death, War
Year: 2011
Legion of the Damned is a death/thrash metal band from Geldrop, Netherlands. Their first name was Occult, but they to decided to change their name to Legion of the Damned at the year of 2004. Their first album was released in 6th of January 2006. “Malevolent Rapture” was a magnificent album of killer death/thrash reminiscent with many clues of the masters of the 80s formed in a modern killer sound by Andy Classen  .The band showed to be able to combine furious thrash genres with midpaced neckbreaking rhythms, translocating the realm of the eighties into the new millenium.

Support The Artist :
http://www.myspace.com/legionofthedamned


Tracklist:

1.	Intro - Descent into Chaos	01:50
2.	Night of the Sabbath	03:32
3.	War in My Blood	03:35
4.	Shrapnel Rain	04:02
5.	Holy Blood, Holy War	04:14
6.	Killzone	04:02
7.	Lord of the Files	05:22
8.	Desolation Empire	04:26
9.	The Hand of Darkness	04:34
10.	Repossessed	04:53

Colonize The Rotting - Composting The Masticated

 

Maybe The Best Brutal Death Album Of 2010

Year : 2010
Genre : Brutal Death Metal
Country : San Jose, California, USA
Label : Sevared Records
Track List :

1. Putrid Distension
2. Formation Of Worms
3. Regurgitated Carrion
4. Genesis Of Putrescence
5. Purulent Ejaculation
6. Composting The Masticated

Support The Artist :

http://www.myspace.com/colonizetherotting

www.mediafire.com/?2k1myfjxzly

Ж TL ДLЮKED  Ж

The Damnation Project

 

The Damnation Project 

A demo from a very promising band of the hellenic underground band
Especially the 4th track

• White Misery
• Fearless
• Odyssey
• Eyseveis Pothoi (Ευσεβείς Πόθοι)

Turisas - Stand Up And Fight

Disc I
01. The March Of The Varangian Guard
02. Take The Day!
03. Hunting Pirates
04. βένετοι! - πράσινοι!
05. Stand Up And Fight
06. The Great Escape
07. Fear The Fear
08. End Of An Empire
09. The Bosphorus Freezes Over

Disc II [Limited Edition]
01. Broadsword
02. Supernaut [Black Sabbath cover]
03. The March Of The Varangian Guard [Acoustic version]
04. Stand Up And Fight [Acoustic version]
05. To Holmgard And Beyond [Acoustic version]


Support The Artist : http://www.myspace.com/turisasofficial http://www.youtube.com/watch?v=qmLXC-87TUE

Return To Earth - Automata

Release Group: PMS
Release Name: Return To Earth Automata 2010
Release Date: 2010-08-17
Length: 49:27
Artist: Return To Earth
Album: Automata
Label: Metal Blade Records
Genre: Metal

Tracklist

01. Automata 4:29
02. You Will Be Replaced 3:15
03. Back Of My Hand 3:24
04. 1.0 1:18
05. Edge Of Forever 3:08
06. Night Of The Exploding Razors 3:21
07. Snakeface 5:53
08. The Dots Do Not Connect 2:55
09. 2.0 1:53
10. The Replicas 3:57
11. So Close 4:44
12. God At The End Of The World 4:46
13. 3.0 0:32
14. Exit Wound 2:19
15. The Altercation Of Man 3:33

Support The Artist :
http://www.myspace.com/returntoearththeband

http://hotfile.com/dl/66007729/ea99f0d/Return_To_Earth_-_Automata_%282010%29_MP3_HF_3125478.rar.html